Praised as “a fine actress with a deep, spacious sound” [Parterre], American mezzo-soprano Kristin Gornstein brings her “rich-voiced mezzo-soprano” and “lines of an uncannily silky legato” [New York Times] to her work, ranging from the traditional to the edgy and imaginative. She was lauded for her recent portrayal of Ramiro in On Site Opera’s co-production of Mozart’s La finta giardiniera in New York’s West Side Community Gardens and with the Atlanta Opera as part of their Discovery Series; a role she will reprise in 2018. The 2016-17 season also brought debuts as Angelina in Rossini’s La cenerentola with Salt Marsh Opera, as Lady-in-waiting in Verdi’s Macbeth with Opera Company of Middlebury, and Paul in the world premiere of Kurt Vonnegut and Richard Clark’s Happy Birthday, Wanda June with Indianapolis Opera.

 

A frequent performer on the New York scene, she has joined Loft Opera as Lucretia in Britten’s Rape of Lucretia and as Rosina in Rossini’s Il barbiere di Siviglia, as Mrs. Slender in Salieri’s Falstaff with Dell’Arte Opera, as Dulcinée in Massenet’s Don Quixote with Utopia Opera, and as Romeo in I Capuleti e I Montecchi with Opera Modo. Never straying too far from the edgy and imaginative, she has appeared often with Heartbeat Opera; as Xantippe in Daphnis and Chloé, as featured soloist in Queens of the Night: Mozart in Space at Brooklyn’s National Sawdust and as the mezzo soloist in the first fully-staged opera pastiche ever performed on Manhattan’s High Line. She also appears regularly with the Brooklyn Art Song Society.

 

No stranger to the concert stage, she has joined Sacred Music in a Sacred Space as alto soloist for both Vivaldi’s Gloria and a program of Domenico Zipoli’s work titled Zipoli and his World,  the New York Wind Symphony for de Meij’s 4th Symphony, Sinfonietta Riverdale as Bessie in Weill’s Mahagonny Songspiel, and the American University of Beirut as soloist in Handel’s Messiah and Mozart’s Mass in C Minor. She toured extensively with Mark Morris Dance Company’s acclaimed production of Purcell’s Dido and Aeneas as ensemble member, appeared at Lincoln Center with the New York Philharmonic for Honegger’s Jean D’Arc au Bûcher and has made numerous appearances in recital at Caramoor.

 

Ms. Gornstein was a Fellow with the Tanglewood Music Center in 2015, where she was featured as soloist in Mackey’s Magdrigal, Bach’s Cantata 155 and as Federico Lorca in excerpts from Ainadamar. She sang performances of Carmen in Bizet/Brook’s La Tragédie de Carmen, Annina in Verdi’s La traviata and Pitti-Sing in Gilbert and Sullivan’s the Mikado as a young artist with Indianapolis Opera, and was also an apprentice with Bel Canto at Caramoor and New Jersey Opera. In 2012, she attended the Opera College of Stockholm, through which she performed at the Royal Opera (Stockholm), premiering as the mezzo soprano soloist in Karl Unander-Scharin’s Opera Mecatronica, and reprising the performance in Operadagen Rotterdam Festival’s production of Distant Voices. She holds a Master of Music in Voice Performance from the University of Colorado where she sang the roles of Vixen Sharp-Ears in Janáček’s The Cunning Little Vixen, Maria in Bernstein’s West Side Story, Kitty Hart in Heggie’s Dead Man Walking, was soloist in Crumb’s Apparition, and also joined the Loveland Opera as Hansel in Hansel and Gretel. She attended Butler University for her Bachelor of Music in Voice Performance degree, and her training also includes improvisation study and subsequent performances with OperaWorks founder Ann Baltz, as well as extensive movement and dance training. Kristin resides with her husband, violinist Ryan Drickey, in New York.